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CBSRMT Episode Information
Title:
The Ring of Truth
Plot:
A tortured story about a father's coercion to get his daughter to testify against her beloved in a homicide by vehicle case.
Episode:
0021
Air Dates:
First Run - January 26, 1974
Repeat - March 29, 1974
Repeat - December 16, 1978
Writer:
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Rating:
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17 Responses to Episode 0021


First of all, Agnes Moorehead's character of Endora on "Bewitched" was so unpleasant that it's hard to remember that she was quite a versatile actress, playing a young student in this episode (although Moorehead's age was 73). This is one that surely sparked a lot of debate. Drunk driving is nasty, and it's hard to argue that he didn't deserve punishment for it; nonetheless, slavish devotion to "truth" that even as a boy I would have had a hard time accepting. (Young Andy says that Superman lies every time he says he ISN'T Clark Kent. And if Superman can lie...) Morality play; no supernatural elements.

As out of place as Agnes Morehead may have seemed in this episode considering her voice and age; I can't imaging anyone else pulling this off. She was perfect; the age in her voice actually made her character more interesting. Her father, a self righteous professor was also a great character. This is a very good episode that holds you captive until the end. Agnes Morehead was great in all of her rolls. The most memorable was Return of the Moresbeys CBS RMT and The Invaders Twilight Zone. I like the turn of events at the end of this episode as I am sure everyone will.

Quite honestly, it kind of creeped me out hearing Agnes try to portray someone 50 years younger than herself. I would rather she go out on a classic note, portraying an elderly, but graceful woman. Here, she sounds... well... like an old lady trying to sound like a young girl. When she calls him, 'Daddy,' it sounds so pathetic. Seriously. As for the story, there wasn't anything to attach yourself to as a "cause." You can't root for the guy, because he commmitted a crime and wanted to hide it. You can't root for "daddy," because he had an alterior motive. He hated the boy and didn't want him with his daughter. You might feel sorry for Agnes, but that voice... just ruined it for me.

Moorehead is a consummate radio actress, and even though she is not entirely convincing as a 20-something young woman here, the character that she portrays definitely does not sound as if it is voiced by a 73 year old. In fact, her character doesn't seem to be any older than the male counterpart who plays her fiancee--and the actor playing Moorehead's father seems to be much older. It all works if you just take some liberties with the script; imagine Moorehead's character (and her finacee) to be around 40, and her father to be around 60-65 (he uses a cane in the last scene, after all, and there is a reference to him being in college 40 years earlier. Not a stretch of the mind at all.

The amazing thing is that she died just 3 months after this episode of uterine cancer. She sounds so alive here. Weird.

This play is dominated by three characters: A professor, his daughter, and her fiance. The professor has written a book about ethics and specifically, about always telling the truth. However, he learns that people who live in glass houses shouldn't throw stones.

Clever and interesting. What price to absolute truth?

A father destroys his daugter's relationship with a man by forcing her to offer testimony against him in a vehicular homicide case. Several lives are ruined.

A man debates the nature of truth with his father-in-law to be, a successful professor who has published several books. The professor is adamant that the truth must always be told while the young man believes that on occasion the truth may be blurred. After getting into a car accident with his fiancé, the three are confronted with a test of their theories on truth. A good episode with a twist of irony at the end.

Lorna should have lied; however, if she did, there would have been no story.

The best part of this recording for me, was the Nixon news update.

I love Agnes Moorehead's voice on this show, although she sounds like she hasn't been in college for several decades.

An interesting and ironic twist at the end of the story. The Nixon update was interesting to hear as well.

This is an interesting episode wherein Agnes Moorehead hardly sounded like a young dubutante. She was already well beyond senior citizen status when this episode was recorded. Still, she played the role as convincingly as possible. I have to admit that I predicted that the old man's truth dictum would come back to haunt him in the end. The father was right to teach his daughter to tell the truth but he should not have been a hypocrite. All humans are fallible. Claims to the contrary will always cause trouble. If Lorna had lied about her drunken fiance, his drinking would probably eventually cause harm to someone else. How ironic that the person who built a career upon the existential value of truth is found to have been the most hypocritical of all.

This was well written and well acted, yet the moral conflict at the basis of the story is almost absurdly trite.

this story had great potential with it's allegory but one leaves with truth being a nuisance than something to cherish, casting was good except moorehead, her crackling voice was awful portraying a late 20s to 30 year old..someone should have been truthful about that before production began...perjury is somehow portrayed as justified when someone is killed by reckless behavior

@James, that was Marian Seldes in "The Return of the Moresbys." Agnes Moorehead's only other CBSRMT role was much more age-appropriate than here: the 77-year-old boardinghouse owner in "The Old Ones Are Hard to Kill."

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